Conducting the Symphony of Destruction; Mallesons Hits Low Note With Graduates

For those who missed the show in last week’s BRW, Mallesons Chief Executive Partner Robert Milliner featured in an article entitled Like Conducting an Orchestra. In that article, Milliner likened his role as head of one of Australia’s most profitable law firms to that of a penguin-suited musical leader, standing in front of a group of people from “band camp”, who frenetically waves a wand.

double-bass? DOUBLE-BASS?

This year marks [Milliner's] 30th with Mallesons – the past 28 of which have been as partner and the past 6 have been “conducting the orchestra”.

The Milliner philharmonic roadshow appears to have hit a few favourable notes in the concerto interview, with BRW reporter Judith Tydd making the following opening comments in her Mallesons composition:

The reputation of Mallesons Stephen Jaques speaks volumes, from attracting some of the brightest law graduates to securing the most complex legal work for Australia’s leading corporations. But just what – or who – keeps the company ticking over?

Is it, perhaps, the harmonics? Apparently not. The article goes on:

It’s not just the prestige, the firm’s chief executive partner Robert Milliner, says. “It’s about the best work for the best clients with the best people,” he says.

While it is true that Mallesons has until now made a habit of attracting the “best people”, thanks mainly to a pipeline of elite graduates, we believe that the firm is slowly but surely beginning to lose some of its lustre for those dreaming of a corporate legal future. The double-bass is losing some of its strings, so to speak.

And the reasons why (we think) that graduates should be cautious about an early career at Mallesons were recently laid bare by the firm’s head of P&D, Kate Rimer. Yes, in an ensemble interview entitled Fast -Track Your Promotion with ALB TV, Mallesons‘ Rimer produced a series of bad notes indeed!

A voiceover to the interview opens with the following prefatory words:

Kate Rimer says being an excellent lawyer in today’s environment is simply not enough.

Rimer continues:

“I think more and more that legal excellence or technical legal skills are a given… What our clients are telling us is valued is the ability to work with them, so it’s the client relaitonship skills, the business development skills, it’s the ability to work in and lead a team. So if you want to climb the ladder, if you are going to have a team of five or six lawyers working for you, how do you do that?… I hate them being called the “soft skills”, i think the client and people skills are really going to stand out the stars from the ordinary performers and that’s what we look for when we’re promoting people.”

But why would the best graduates in the country want to dust off their instruments in an environment where being an excellent lawyer “is simply not enough”? Did they attend university and orchestrate class-topping grades … all so they could fast-track their promotion with “soft skills”?

Or did they hope that they could forge a career in a firm where actually being a great technical lawyer, and not something of a marketing guru, would see them rewarded with promotions and the like?

And what about that rhapsody over underpay? Don’t the best graduates deserve the best pay and best working conditions? Not harder and longer hours than at competitor firms?

We think it is time that graduates paid closer attention to the notes being produced by the firm.

And perhaps it is also time Robert Milliner listened to the orchestra he is conducting. After all, we think their lead opus – which they are currently playing with considerable gusto – is Megadeth’s 1992 heavy metal power-ballad Symphony of Destruction

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